And now, as this book is drawing to a close, I will whisper in the
reader's ear a horrible suspicion that has sometimes haunted me: the
suspicion that Hudge and Gudge are secretly in partnership. That the
quarrel they keep up in public is very much of a put-up job, and that the
way in which they perpetually play into each other's hands is not an
everlasting coincidence. Gudge, the plutocrat, wants an anarchic
industrialism; Hudge, the idealist, provides him with lyric praises of
anarchy. Gudge wants women-workers because they are cheaper; Hudge calls
the woman's work "freedom to live her own life." Gudge wants steady and
obedient workmen, Hudge preaches teetotalism—to workmen, not to
Gudge—Gudge wants a tame and timid population who will never take
arms against tyranny; Hudge proves from Tolstoi that nobody must take arms
against anything. Gudge is naturally a healthy and well-washed gentleman;
Hudge earnestly preaches the perfection of Gudge's washing to people who
can't practice it. Above all, Gudge rules by a coarse and cruel system of
sacking and sweating and bi-sexual toil which is totally inconsistent with
the free family and which is bound to destroy it; therefore Hudge,
stretching out his arms to the universe with a prophetic smile, tells us
that the family is something that we shall soon gloriously outgrow.
I do not know whether the partnership of Hudge and Gudge is conscious or
unconscious. I only know that between them they still keep the common man
homeless. I only know I still meet Jones walking the streets in the gray
twilight, looking sadly at the poles and barriers and low red goblin
lanterns which still guard the house which is none the less his because he
has never been in it.
http://www.gutenberg.org/files/1717/1717-h/1717-h.htm
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